Writing in the "With Bible" magazine a Religious sister recalls her  visit to a convent with a deaf person, during which they attended a  Mass. She watched carefully as a sister at the front of the church  passed along to the hard of hearing the words of the Mass and what was  occurring on the altar, using not only her hands but her body to  communicate. She  wondered if there was any more beautiful way of giving praise than the  soft and easy movements of the hands to form words, and the singing  responses in sign language. It was, she said, like heat waves of life  dancing in the air on a spring day. 
For many centuries, artists have used the 14 stations of the cross  as subjects for their art. She mentions a modern day rendition that  appears in one of the churches in Seoul: the stations are depicted  solely by the different positions of the 'hands  of Jesus' carved in relief.
The hands are in different sizes,  positions, textures and in a variety of frames.Each one separately can  be seen as a unique masterpiece: hands supporting the cross, perplexed  hands on the ground, violent hands grabbing the clothing, spastic  hands  receiving the nails, entrusting hands after death. There is no  extravagance in the expression of pain and anguish. Instead, the artistic description follows  the  laws of the medium and is restrained in expression. Standing  before the station, one is not overcome by the suffering  and extreme  sadness but what is seen elicits repentance and regret. The form  has been refined so it is not the emotions that are moved but one is still left with the meaning. 
Jesus used his hands often in his ministry: Touching the  lepers, blessing the children, holding simple food in his hands, washing  the feet of his disciples, and finally stretching his hands out on the  cross, and, after death, showing his hands to his disciples so they  would know he was the one that walked with them before death.
The  sister reflects on where the hands of Jesus might be found today.  Haven't  they been bequeathed through the Church to  us? she asks. They are a  poor  replacement, she admits,  but we, as Church, are his tools--weak and  deficient as we may be. "My grace is enough for you, for in weakness  power reaches  perfection" (II Cor. 12:9). She ends her article by reminding us that it  is all grace.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            
 
 
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